2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon

2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon
2 Sheets 1989 Don Ed Hardy Traditional Vintage Style Tattoo Flash Girls Dragon


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Don Ed Hardy:Don Ed Hardy
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Don Ed Hardy, 2 Sheet Set of 11×12 1/2″ (Inch), and 11X14 1/2″ (Inches approx.) Old School, Vintage Style Tattoo Flash. Pictured on these (High Quality Copies), Tattoo Flash Sheets Is An Eagle, Skull, Snake, Girl, Dragon, Panther, Ect. Typical Sailor, Military Tattoo Designs Of The Era. Please see Pictures. YOU GET BOTH PRINTS!!!!!!! ONE TATTOO WILL PAY FOR THE SET! These would look great framed. These are High Quality, Giclee Prints, on Premium Card Stock Paper, Using Archival Ink. These are great pieces of Artwork to display in your shop. Line work for this sheet IS NOT included. Early life Hardy was born on January 5, 1945, in Des Moines, Iowa. He grew up in Corona del Mar, in Newport Beach, California. As a preteen a young Ed Hardy was interested in tattoos: one of his friends’ fathers had Army tattoos, and it intrigued him so much that he took pens and colored pencils to draw on other neighborhood kids. Hardy also credits his mother, who supported his work and encouraged him to follow his passions. Hardy had his first art exhibit at the Laguna Beach Art Festival after graduating from high school. He attended the San Francisco Art Institute and graduated with a Bachelor of Fine Arts in printmaking. While there, Hardy learned drawing from Joan Brown, etching from Gordon Cook, and sculpting from Manuel Neri. He was later offered a full scholarship and graduate position for a Master of Fine Arts program at Yale. He declined and instead pursued his interest in tattoos. Career Hardy was mentored by several famous and prolific tattoo artists, including Samuel Steward (also known by his nickname “Professor” Phil Sparrow), a former college professor. As a child, Hardy had copied Steward’s designs. Steward showed Hardy a book of Japanese tattoos. Hardy, who had already been interested in Japanese history, culture and woodblock prints, had an epiphany; he described it as being struck by “lightning.” After Hardy finished his apprenticeship with Steward, he studied with the tattoo artists Zeke Owen in Seattle and Doc Webb in San Diego. At a tattoo convention in 1980 Eventually Hardy formed a relationship with one of the pioneers of modern tattoo culture, Sailor Jerry Collins, who had a major impact on Hardy’s work. He met with and began a long correspondence with Sailor Jerry, which paved the way for an introduction into a world previously closed off to outsiders. Through Jerry’s connections, Hardy began an association, in 1973, with the classical tattoo master Horihide. Hardy studied and tattooed in Japan off and on through the ’70s and ’80s. According to Hardy, his clientele at the time included bikers and Yakuza members. Hardy soon became recognized for being the main influence and driver in incorporating Japanese tattoo aesthetics and techniques into American styles of work. One of the defining characteristics of Hardy’s work is the elevation of tattoos from flash, preset and preformed tattoos, to customized and personalized work. Before this, it was very common for individuals, often those in the U.S. Navy, to walk into studios/or the back of other businesses and select artwork off of a wall. Hardy’s motivations were more aesthetically simple: to focus on one’s self-expression, the resulting tattoos reflecting the individual’s taste and preferences. This would be collaborative, done in consultation between tattoo artists and client. For Hardy this was about customization and personalization, thus the wearer would have an emotional connection. This fine art mentality helped elevate tattoos from a subculture to pop culture, taking it from fringe culture to main culture. Legacy In 1982, Hardy and his wife Francesca Passalacqua formed Hardy Marks Publications. Under this marque, they began publishing the five-book series Tattootime. Hardy Marks has published more than 25 books about alternative art, including catalogs of Hardy’s work and that of Sailor Jerry Collins. EEE Productions (Ed Hardy, Ed Nolte, and Ernie Carafa) put together an influential tattoo convention on the Queen Mary in 1982, as well as organizing many other tattoo conventions and expos. In 2000, he was appointed by Oakland Mayor Jerry Brown to the city’s Cultural Arts Commission. By 2009, Hardy had retired from tattooing. He owns Tattoo City, a studio in San Francisco. Brands2008 Ed Hardy brand shoe In the early 2000s, Hardy licensed Ku USA, Inc. to produce a clothing line based on his artwork. Hardy and Ku USA formed Hardy Life, now Hardy Way LLC, which owns the Ed Hardy brand and trademarks. The brand has subsequently been extensively licensed, at one point having 70 sublicensees, selling clothing, accessories, lighters, perfume, hair styling tools, and condoms. Models on the runway for Ed Hardy Fashion show during Los Angeles Fashion Week in 2008 The most famous licensee was Christian Audigier, previously of Von Dutch Originals, which marketed the imagery of Kenny Howard (aka Von Dutch), another noted American subculture artist. Audigier licensed the worldwide rights to the Ed Hardy brand in 2005 through his holding company, Nervous Tattoo, and employed the marketing techniques employed by Von Dutch Originals, marketing directly to celebrity clients and by opening stores in high-profile fashion districts. Ed Hardy stores were located in San Francisco, New York, Los Angeles, Boston, Seattle, Minneapolis, Honolulu, Scottsdale, Tucson, Vancouver, Dubai, Johannesburg, Kuwait, Kuala Lumpur, Bangkok, Gurgaon, Delhi, Mumbai, and Qatar. The face of the brand (from 2008) was Sarah Larson. The brand gained significant popularity under Audigier, peaking at more than $700 million in gross revenue in 2009, but collapsed quickly in the following two years, leading to the closure of many stores. Among others, the Australian sublicensee of Ed Hardy (owned and operated by Gary Berman) entered administration and closed in 2010. Hardy blamed the collapse on creative and marketing decisions by Audigier, such as Audigier featuring his own name prominently on branded items (on one item 14 times, compared to Hardy’s once), and prominent association with short-lived reality TV celebrity Jon Gosselin. Following legal battles, Hardy regained control of the brand in 2010, though as part of the settlement Nervous remained a licensee for T-shirts, hats, and hoodies. In May 2009, Iconix Brand Group announced it had acquired a 50 percent interest in Hardy Way, LLC, the owner of the Ed Hardy brand and trademarks, which it increased to 85% in 2011. Hardy retains a 15% minority stake. In 2018, the brand successfully relaunched in Europe, and collaborations were presented with Missguided and Illustrated People amongst other brands, the latter sold via Selfridges, Asos and Topshop. In 2019, the brand carried out a further global collaboration with Rose In Good Faith. WorksBull’s Eyes & Black Eyes, Hardy Marks Publications 2003.The Elephants’ Graveyard, Frederick Spratt Gallery 2002.Smart art press – by Don Ed Hardy, Smart Art Press 2000.Tattooing the Invisible Man, Bodies of Work, Hardy Marks Publications/Smart Art Press 2000.Permanent Curios, Smart Art Press 1997.tattoo-time, ART FROM THE HEART, Hardy Marks Publications, Hawaii 1991.tattoo-time 4, LIVE AND DEATH TATTOS, Hardy Marks Publications, Hawaii 1988.tattoo-time 3, MUSIC & SEA TATTOOS, Hardy Marks Publications, Hawaii 1988.tattoo-time 2, TATTOO MAGIC, Hardy Marks Publications, Hawaii 1988.tattoo-time 1, NEW TRIBALISM, Hardy Marks Publications, Hawaii 1988. References Notes ”Don Ed Hardy”. Fine Arts Museums of San Francisco. 10 May 2019. Retrieved 23 April 2021. Hardy, Ed; Selvin, Joel (2013-06-18). Wear Your Dreams: My Life in Tattoos. Macmillan. p. 9. ISBN 978-1-250-02107-6. Scancarelli, Derek (July 15, 2019). ”A Day At The Whitney With Don Ed Hardy”. Forbes. Retrieved 2022-09-13. Alabi, Mo (September 30, 2013). ”Ed Hardy: From art to infamy and back again”. CNN. Retrieved May 21, 2021. DeMello, Margo (2000). Bodies of Inscription: A Cultural History of the Modern Tattoo Community. Duke University Press. p. 103. ISBN 0-8223-2467-9. Reed, Sam (August 30, 2022). ”In Defense of Ed Hardy”. InStyle. Retrieved 2022-09-20. Hamlin, Jesse (September 30, 2006), ”Don Ed Hardy’s tattoos are high art and big business”, San Francisco Chronicle, Hearst Communications, Inc., retrieved March 26, 2010 DeMello, Margo (2007). Encyclopedia of Body Adornment. Greenwood Publishing Group. p. 145. ISBN 978-0-313-33695-9. Meier, Allison (August 2, 2019). ”Ed Hardy Changed Tattooing Forever”. JSTOR Daily. Retrieved May 19, 2021. LaSota, Catherine (June 5, 2015). ”Tattoo Artist Don Ed Hardy on the Evolution of Tattoo Art in America”. Vice Magazine. Retrieved 2022-09-14. C.W., Eldridge. ”R.M.S. Queen Mary”. Tattoo Archive. Retrieved 2022-09-14. DeFao, Janine (December 30, 1999). ”Jerry Brown Picks Tattooist For Art Panel”. San Francisco Chronicle. San Francisco, CA: Hearst Communications, Inc. p. A1. Retrieved February 6, 2009. Vance, Ashlee (November 12, 2009), ”Ed Hardy’s Tattoo Art Is Booty for Digital Pirates”, The New York Times, retrieved March 26, 2010 Rafkin, Louise (2011-08-27). ”Ed Hardy’s Tattoo City”. The New York Times. ISSN 0362-4331. Retrieved 2022-09-14. Barajas, Erin (May 8, 2009). ”Iconix Buys Half of Ed Hardy Brand”. California Apparel News. Retrieved 2022-09-13. ”Iconix buys global rights, ups stake in Ed Hardy brand”. Reuters. 27 April 2011. ”Ed Hardy(R) Settlement Agreement Reached Between Nervous Tattoo, Inc. and Hardy Way, LLC”. Bloomberg News. Fleming, Kirsten (June 16, 2013). ”That inking feeling”. New York Post. ”IGP Beauty, Inc. Secures Celebrity Hair Care Lines”. May 13, 2010. Archived from the original on February 22, 2013. ”Ed Hardy”. IGP Beauty website. Archived from the original on July 13, 2011. Juli Weiner (May 26, 2010). ”Ed Hardy, Terrible Clothing Company Popular with Terrible People, Introduces Line of Condoms”. Vanity Fair. Norm Clark (June 15, 2008). ”Larson the face of new clothing line”. Review Journal. Retrieved 2022-09-13. Ben Butler (August 12, 2010). ”Ed Hardy clothing goes into administration”. Business Today. Retrieved November 19, 2013. Bhattacharjee, Nivedita (2009-05-05). ”UPDATE 1-Iconix Q1 tops market; buys 50 pct in Hardy Way”. Reuters. Retrieved 2022-09-14. Li, Nicolaus (8 February 2019). ”ROSE IN GOOD FAITH Brings Ed Hardy Back with a Bedazzled Capsule”. Hypebeast. Retrieved 2022-09-13. Bibliography Wong, Allison (2006) 10 Years – The Contemporary Museum at First Hawaiian Center – Tenth Anniversary Exhibition, Honolulu, Hawaii: The Contemporary Museum. p. 47 ISBN 9781888254075 -WIKIPEDIA

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